Howick, Kwa-Zulu Natal Midlands, South Africa
18 Sangster Road Howick

A selection of beautifully rendered original pencil artworks and fine art prints by Vincent Reid, a full time artist based in Howick in the beautiful KwaZulu-Natal Midlands of South Africa.
A quiet record of time spent looking, listening, and being.
Vincent Reid
"Axis Mundi"
“A line or stem through the earth's center connecting its surface to the underworld and the heavens”
Symbolised by the “tree of life” it is a central pillar in many cosmologies that view the awakened human being as an "axis mundi" – the link between Heaven and Earth.
Baobabs, also known as the inverted tree, were observed by Carl Jung to be symbolic of the human journey of self realisation. They germinate, grow, and then eventually "hollow out" and "invert." The "hollowing out" and "inverting" is representative of the self-aware human who is prepared to turn all their beliefs and dogmas on their head as they evolve.
Original Pencil Drawing
Dimensions:
480mm x 830mm (unframed)
780mm x 1160 mm (Framed)
Finishing:Framed behind Anti Reflective Glass glass with double off-white mount and 30mm Graphite Grey outer frame
Baobab pencil drawing
African wildlife pencil drawings
Realistic Nature drawings
Vincent Reid
I was born in 1970 and raised on a farm in Zimbabwe, where my connection to landscape and observation began. Much of my childhood was spent in the hills and along the rivers of our family farm, learning to watch the quiet details of the natural world.
Growing up in Zimbabwe during the 1980s, access to art materials was limited, and pencil became my primary means of expression. I later trained as an interior designer and spent 18 years working in the exhibition and events industry as a designer and business owner. Over time, the demands of the corporate world drew me away from personal creative work.
In 2011, I made the decision to leave that world behind and return to drawing. My family and I relocated to Howick in the KwaZulu-Natal Midlands, where a slower, rural environment allowed me to reconnect with my practice.
I work primarily in graphite, drawn to its capacity for texture, contrast, and subtlety. My work is rooted in firsthand experience and direct observation, and each drawing reflects a personal encounter with the African outdoors.